Lots of graffiti and street art around the world includes nature. Have you seen any? There are pictures of nature’s place in our urban world and messages about environmental protection. Political graffiti sometimes uses elements from nature. Often, nature images are used to make point unrelated to the environment. This is the nature of graffiti.
You can be a part of this gallery about the ideas that motivate us and art in public places. If you see nature in graffiti, take a picture and upload it here. We’re making a world-wide, crowd-sourced gallery of images of graffiti and street art with images and themes from nature and the environment.
Don’t have a picture to upload? Browse this remarkable collection of images and ideas. We think it says a lot about the relationships among people, cities, public space, and nature.
Graffiti has a multifaceted and sometimes controversial place in the urban landscape. Some say:
Graffiti reflects underlying decay and lawlessness, and is a menace to social order.
Graffiti fulfills many important social functions, including making social commentary, claiming on space, and creating interesting public places.
Or maybe both. It is one of the few truly spontaneous elements in many urban landscapes.
Some view it as ‘out of place,’ deviant, symbolizing disorder and moral panic. On the other hand, as art that is created and experienced out in public spaces, graffiti can be used to assert a claim to a particular place—a territorial marker for the artist and all those s/he aims to represent. Graffiti can also challenge dominant discourses and politics and communicate alternative meaning. Or it can be covert in ways we don’t understand. These are some of the many dualities of graffiti: decay vs. renewal; illegal vs legal; ugly vs. beautiful; innovative vs. crass; overt vs. covert; inside vs. outside.
Graffiti and street art is diverse—tags, throw-ups, stencils, stickers, wildstyle, piece, blockbuster, murals, and so on. In this gallery, we are interested in graffiti and street art (defined broadly) that includes nature themes (also very broadly defined), or that has some element of ‘nature’ in its content.
Nature-themed graffiti may relate to many issues in society, such as:
(1) how we define and understand nature (e.g. a rural ideal, wilderness); (2) political statements of all kinds, including those addressing conservation or the environment; (3) comments on what is missing or needed in the city; (4) simple depictions of beauty; and (5) using nature elements as tags or as political messages that don’t involve the environment.
By collecting examples of such graffiti in cities globally, we aim to explore some interesting questions: What are examples of urban nature-themed graffiti around the world? What does it tell us about the nature of and in cities? What might stories we find in graffiti art tell us about urban (and rural) stories? How are people using nature to claim public spaces?
Project curators: Pippin Anderson (Cape Town), Paul Downton (Adelaide), Emilio Fantin (Milan), Julie Goodness (Stockholm), Todd Lester (San Paolo), Patrick Lydon (San Jose & Seoul), David Maddox (New York), Patrice Milillo (Los Angeles), and Laura Shillington (Managua & Montreal)